aquariusgod:
“Reblog this for luck in love, for Venus to watch over you & to be able to find yourself & others who are good for you.
Reblog to imbue love in your current relationships, to assist in finding a new one, to help heal from past ones & in...

aquariusgod:

Reblog this for luck in love, for Venus to watch over you & to be able to find yourself & others who are good for you.

Reblog to imbue love in your current relationships, to assist in finding a new one, to help heal from past ones & in order to obtain a loving and committed relationship.

Reblog in order to maintain, reblog to persevere, reblog to commit, seek loyalty, and to love wholeheartedly.

Reblog for love for the years to come. Reblog for the love you want. Reblog in hopes of a fairytale, reblog to make that dream come true.

Reblog for love, for me, & for you.

(Source: cursedhub)

(Source: peter-et-steven)

delphinecormeir:

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malformalady:
“Supernumerary teeth or hyperdontia is defined as any teeth in excess of the usual configuration of twenty deciduous and thirty-two permanent teeth. They can appear in any area of the dental arch and can affect any dental organ....

malformalady:

Supernumerary teeth or hyperdontia is defined as any teeth in excess of the usual configuration of twenty deciduous and thirty-two permanent teeth. They can appear in any area of the dental arch and can affect any dental organ. Supernumerary teeth are more frequently observed in permanent dentition than in deciduous dentition with predilection for the upper arch than lower arch

bornofanatombomb:

Jun Togawa’s robotic arm

“…Togawa’s lyrics repeatedly treat her own body as ‘insect-like’ (in songs such as Pupae Woman and Swarms of Insects), or as distorted into robotic, quasi-human forms. This ties into a simultaneous trend of Japanese popular culture to focus on the cybernetic augmentation of the body, a trend which (as far as I know) has not yet been written about. In Togawa’s case, I get the sense that these descriptions of the destruction and reconfiguration of her body relate to puberty, which she re-imagines as a hideous process of physical distortion. In one song, she describes love as a ‘mutation’ of her body - an acknowledgment of the inherent violence of the power relations of romantic love. In these powerful metaphors, she also highlights and subverts the objectification and territorialisation of the female body that the aidoru archetype is built upon. Whilst other aidoru produced glossy photo albums of themselves dressed as various feminine archetypes (schoolgirl, geisha, etc.), Togawa released a similar collection of photos with the English title JUN TOGAWA AS ONLY A LUMP OF MEAT. This imagery is continued in her videos and stage performances, where she often appeared wearing dragon-fly wings or ‘robotic’ attachments to her limbs…”

Memory and Gender in the Music of Jun Togawa

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ironpour:

Hereditary (2018) [dir. Ari Aster]

ursociety:

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cwunch:

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(Source: pietriarchy)

greynvi:

a gifset of planet facts because i rlly love space!!

//please dont remove caption!

(Source: instagram.com)

arb111n0:
“鳥
”

arb111n0:

Anonymous asked:

you’re a fucking hamtaro blogger who the fuck cares what you think. stop making political posts and stick to posting hamtaro memes.

answered:

klefable:

noppokun:

Are you mad that I get more pussy than you?

this website is wildly out of control